|
Title
|
composed by
|
Length
|
Soloists
|
|
1. It’s Bicycle-Repairman
inspired by Monty Python’s
"Bicycle-Repairman"
|
Torsten Maaß
|
6:35
|
Hubert Winter (ts)
Gerhard Gschlößl (trb)
|
|
2. Basie Day
|
Torsten Maaß
|
6:38
|
Frank Lauber (as)
Ralf Hesse (trp)
Dejan Terzic (dr)
|
|
3. It’s Only Life
|
Torsten Maaß
|
5:38
|
Oliver Leicht (cl)
|
|
4. Sir Charles’ Teatime
|
Torsten Maaß
|
4:30
|
Sebastian Strempel (trp)
Oliver Leicht (as)
|
|
5. Things To Come
|
Dizzie Gillespie
|
4:26
|
Frank Lauber (as)
Axel Schlosser (trp)
|
|
6. "Your Fund’s Too Big" Blues
dedicated to Mr. Peter Lynch
|
Torsten Maaß
|
4:54
|
Norbert Emminger (bs)
Bernhard Pichl (p)
|
|
7. Dolphin Dance
|
Herbie Hancock
|
5:09
|
Jürgen Neudert (trb)
|
|
8. Brown Apple Cake
|
Jürgen Hahn
|
5:40
|
Lutz Häfner (ts)
Jürgen Hahn (trp)
|
|
9. Blues & The Outdoor Truth
|
Torsten Maaß
|
4:21
|
Sebastian Strempel (trp)
Hubert Winter (ts)
Bernhard Pichl (p)
|
|
10. Greetings from Mr. Ed
|
Torsten Maaß
|
3:54
|
Ed Partyka (tuba)
|
|
11. Thank You For The Music
|
Benny Andersson & Björn Ulvaeus
|
1:26
|
|
|
12. "BONUS TRACK":
Can’t Stop My Neck
|
Torsten Maaß
|
8:40
|
Lutz Häfner (ts)
Johannes Herrlich (trb)
Ralf Hesse (trp)
|
Personell:
Trumpets & Flugelhorns: Thorsten Benkenstein, Axel Schlosser, Sebastian Strempel, Ralf Hesse, Jürgen Hahn
Trombones: Jürgen Neudert, Johannes Herrlich, Gerhard Gschlößl, Ed Partyka (Bass Trombone & Tuba)
Reeds: Oliver Leicht, Frank Lauber, Hubert Winter, Lutz Häfner, Norbert Emminger
Rhythm: Bernhard Pichl (p), Markus Schieferdecker (b), Dejan Terzic (dr)
all tracks arranged & conducted by Torsten Maaß
recorded may 26th & 27th 1999 at Studio 44, Monster (NL) by Max Bolleman
mixed november 23th - 26th 1999 by Winnie Leyh and Torsten Maaß at Klangstudio Leyh, Sandhausen mastered november 26th 1999 by Winnie Leyh
produced by Sunday Night Orchestra & Torsten Maaß
Producer for Mons Records: Thilo Berg